Linden's 2003 Exhibition Program10 JANUARY - 2
FEBRUARY Gallery 1 & 4 - BORDERLINE
- Gabrielle Baker, Corinne Gwyther, Kay Waters Gallery 2 - UH
- Brooke Penrose, Geniene Honey, Oliver Wearne Gallery 3 - EYE SPY
- Justine Khamara Gallery 5 - LIVING
IMAGE PRODUCTIONS - Elizabeth van Herwaarden
8 FEBRUARY - 16 MARCH Linden will be open from 10am
- 6pm for the St Kilda Festival - Sunday 9 February. Live
21 MARCH - 13 APRIL Gallery 1 - REFLECTING
FRAGILITY - Caryn Giblin Gallery 2 - INTERSECTIONS
- Jacqueline Herbert, Caroline Ho-Bich-Tuyen Dang Gallery 3 - DWELLING
IN THE JOURNEY - Nicola McClelland Gallery 4 - PRIVATE
TO PUBLIC - Cathi Colla Gallery 5 - CALM DAY
- Al Munro
18 APRIL - 11 MAY Gallery 1 - HYBRID
REMAINS - Aisha Reynolds Gallery 2 - SUNYATA
- Bill Sampson Gallery 3 - HAPPY
PILLS - Kathy Tsangaridis Gallery 4 - GAME
- Natalie Shields Gallery 5 - YIKKITY
YAK YAH YAH YAH - Robert McHaffie, Michelle Ussher
16 May - 29 June all galleries DRAMA IS CONFLICT Artists Catherine Bell, Damp, Megan Keating, Dominic Redfern, Christian Thompson and Ronnie van Hout draw from narratives of war, genocide, pornography, protest, entrapment and hell in reference to the drama of conflict throughout society and across time. Curator: Jan Duffy. PUBLIC PROGRAM
5 July -14 August all galleries CON-SENT-TRICK SIR-KILLS An exhibition of highly political work by artist in residence, Gordon Hookey, and five Victorian Indigenous artists: Shirley Angus, Gary Donnelly, Dennis Fisher, Daniel King and Jenny Murray-Jones. FREE PUBLIC PROGRAMS This project is supported by the City of Port Phillip as a NAIDOC week celebration and has been assisted by the Myer Foundation and the Commonwealth Government through the Australia Council, its arts funding and advisory body.
22 August - 14 September Gallery 1 D-PART Heath Sutherland, Miles Brown, Roh Singh An exhibition of work by three emerging contemporary sculptors that investigates the notion of departure and how memory is used to navigate identity, uncertainty and displacement in today's fragmented society. Gallery 2, 3 & 5 RECONNAISSANCE Sharon Thorne, Viveka Marksjo, Shaun Elstob The impact of surveillance and voyeurism in contemporary society is explored, using architecture, constructed objects, light, sound and animation to observe the way in which a space is altered by the presence of the viewer. Gallery 4 DIMENSION(S) George Dann, Patricia Bursill Everyday found objects and screen images inhabit new environments in a playful commentary on value, containment, and displacement.
19 September - 19 October Gallery 1 ICON-OGRAPHY Darren Gunstone A ten meter frieze, made up of 524 positive pixels printed on mdf squares, draws attention to the ubiquity of technology, the changing nature of language, the physical act of writing and the concept of being switched on 24 hours a day. Gallery 2 MMM POP Katherine Jacobs The artist's obsession with lollies, as icons of popular culture, manifests as multiple object based ceramic works that can be read simultaneously as friendly, familiar and menacing. Gallery 3 DAISY CUTTER Natasha Carrington The narrative of weaponry, constructed under the US military umbrella for the purpose of global security, is challenged through the literal reproduction of euphemisms that refer to weapons of mass destruction as harmless garden tools. Gallery 4 DOG ON THE TUCKERBOX Waratah Lahy Oil paintings combining board, blanket and beer cans, draw on subjects from childhood photographs, stock competitions and found imagery in a humorous interpretation of the portrayal of Australian animals as totems of mateship, humour, pride and the battler mentality. Gallery 5 FAST CARS FAST WOMEN Natalie Kosnar Gender stereotypes, the male gaze and consumerism are scrutinised through small format layered glass images of women and fast cars. 24 October - 23 November Gallery 1 SCREEN/PAINTING Linda Van Kalleveen, Marisa Keller Alternative materials such as elastic bands are used to emphasise the formal language of painterly abstraction, whilst a range of printing techniques combine to express different paces of time, in the context of movement and continuous space. Gallery 2 TWO ROOMS Saffron Newey The mechanical nature of photographic and digital reproduction is examined through the traditional medium of oil on canvas, with the artist's own domestic space as a subject. Gallery 3 KEEPING TIME Niomi Sands Giant lockets carved in clear glycerine soap and embroidery of the artist's hair, embedded in a free standing plaster wall, create an environment for reflection in which the artist explores the significance of mnemonic devices in relation to memory. Gallery 4 DAY TO DAY Ian Tippett Ian Tippett's large format digital prints in Gallery 4, respond to seventies street photography and its sense of randomness and immediacy. The scale of the work in Day to Day and the subjects' awareness of their public presence, while alluding to contemporary advertising, also reflects the cinematic experience of the street. Gallery 5 BEAM ME UP - BODY WORKS Anthea Boesenberg The artist will gradually reconstruct herself in the gallery space as segments of her body, and finally her DNA, are scanned, emailed, printed and then pinned to the walls. 28 November - 14 December all galleries THE INSTRUMENT BUILDING The sounds of contemporary instruments under construction, in
rehearsal and in performance will turn Linden into a huge
instrument building: with boiling kettles, miniature percussion,
analogue noise boxes, violinmaking and a circular harp.
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