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Exhibition Program 2009
2009 Linden Postcard Show 7 February - 27 March
The Annual Linden Postcard Show is the wealthiest open entry competition
in Australia open to all artists using all mediums with 1,000s of artists
entering from across Australia.
The Postcard Show is Linden's major fund-raising event.
Bendigo Bank is the principal sponsor of the Linden Postcard Show
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image: Scott Miles Hoodhead No.5, oil on board.
Art Spectrum Finest Colours 3rd Prize Winner Linden Postcard Show 2008
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The Secret Life of Plants 4 April - 17 May
All galleries
Jane Burton, Luke Pither, Paul Gazzola, Rewi Lyall, Richard Giblett,
Sally Ross, Simon Pericich, Starlie Geikie and selected Victorian
Botanical Society artists.
Curated by Andrew Gaynor
The artists in this exhibition have variously included plant-related imagery
or motifs within their work. In most cases, they abstract or tinker with
straightforward representation in ways that add a veil of mystery or
ambiguity to the work. This exhibition was inspired by the Stevie Wonder
1979 album Journey Through the Secret Life of Plants (Vol 1).
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Jane Burton House Plant 2008 type C photograph, 110 x 110 cm
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Innovators 1 23 May - 21 June
gallery 1 Pretty in Pink Natalie Ryan
A life size bear rug and two wild boar heads will be created using taxidermy
foam casts and prosthetic eyes, noses, jaws, tusks and a coating of fine pale
pink velvet. The installation will include a series of anatomical drawings, also
in pale pinks, and continues the artist's historical research into the complex
structures that attempt to house uncanny images of the corpse. Linden
Studio Artist Program
gallery 2 R.I.P Michael Vale
A ghost story about art, told through photography, painting and video. Using
'spirit photography' and the occult as vehicles for satirical critique this project
will interrogate the retrospective evaluation of art according to its prescience
and influence.
gallery 3 The Sanguine Spectre Mila Faranov
This installation explores the notion of the phantasmagoric and the spectral.
Painted imagery and rubber latex is cut, pinned and glued to create
ornamental patterns and three dimensional objects in a non-linear narrative.
gallery 4 + 6c Gabrielle Baker
A video projection that takes the post-Darwinian view that the animal in the
human is positive and defining.
gallery 5 Melbourne Fringe Festival Winner Antonia Goodfellow
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Natalie Ryan Untitled (White Baboon) 2008 taxidermy foam cast, prostheic eyes, prosthetic jaw and tongue, synthetic fibers
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Just Can't Get Enough 27 June - 2 August
All galleries
Clinton Nain, Bindi Cole, Duncan Robinson
Curated by Ben McKeown
The rise in popularity of contemporary Indigenous art, combined with the
risk taking attitudes of many Indigenous artists, has forged a pathway
that has helped shape a new popular culture in this country - one that
embraces all artforms.
The artists in this exhibition create works that escape the confines of
post-colonialism and proactively engage in urban discourse, celebrating
identity while exploring individual interests.
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Bindi Cole How To Be A Domestic Goddess 2008 pigment print on rag paper
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Persuasion Equation 8 August - 20 September
Peter McKay Curator, CACSA (SA), Melissa Keys Curator, PICA (WA)
and Reuben Keehan Curator, Artspace (NSW).
Chris Bond (Vic), Catherine Bell (Vic), Huseyin Sami (NSW),
Akira Akira (SA) and Matthew Hunt (WA)
This exhibition aims to explore the role of the curator in the presentation
of contemporary art and to look at their relationship to living artists. Each
curator will develop a theme and share the same five artists to work with
them in developing and presenting their exhibitions. The Curators will not
correspond with each other about the exhibition nor will the artists discuss
the comparative approaches and themes that each curator is exploring.
This show will present challenges to curators, artists and audience alike.
Co-ordinated and conceived by Jan Duffy
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Akira Akira All that is solid melts into air (detail) table, laminate & polyurethane resin on particle oard, acrylic, eraser, plastic
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Innovators 2 26 September - 25 October
gallery 1 Beauty Of Decay Cyrus Tang
An attempt to capture loss and unfulfilled childhood dreams is the driver for
this video installation.
gallery 2 You Should Be Treated Like A Princess Jessie Angwin
An experimental installation of new work in sound, embroidery and books
based on documentation collected during a research trip inspired by Princess
Masako of Japan. The work attempts to invert the phrase of endearment
expressed in the exhibition title by re-contextualising the real life of Owada
Masako, a woman whose fifteen years of isolation has compromised her
independence and health. Linden Studio Artist Program
gallery 3 Inclusive Participation (Working Title) Ben Millar
A performance video in which six guitar playing members from the band
The Mass Graves Orchestra will use one string on their guitar to make
complete songs.
gallery 4 The Triumph Of Adversity Simon Mee
Using sources inspired by narratives and figures such as Moby Dick and
the pastorale's of French rococo this suite of paintings counterpoints visual
titillation and heroic seriousness and explores the interchange between
dystopian and utopian visions.
gallery 5 Working Title Christine Collins
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image: Jessie Angwin
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Martha McDonald 31 October - 8 November
All galleries
Inspired by Linden's history as a Victorian family home and its current layout
which retains many domestic features, Martha McDonald's performance
will draw on the "women's work" of Victorian mourning culture to explore
memory, loss and disappearance. Working exclusively in black yarn,
McDonald will fill one half of Linden's exhibition space with an excess of
knitted flowers, wreaths, forget-me-not samplers and other momento mori
that grow bigger and more obsessive as the performance progresses.
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Aphids
CARE INSTRUCTIONS
DIRECTOR Margaret Cameron
WRITER Cynthia Troup
PERFORMERS Jane Bayly, Liz Jones & Caroline Lee
MUSIC David Young
LIGHTING Danny Pettingill
VIDEO Eugene Schlusser
PHOTOGRAPHY Yatzek
Showing in the Linden Reading Room Care Instructions is a video installation centred on the porthole of an old tumble-dryer.
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image: Martha McDonald
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Innovators 3 14 November - 13 December
gallery 1 (front) Occurrence Project Helen Grogan & Gwenneth Boelens
Occurrence Project is an architectural installation by Gwenneth Boelens (NL) and Helen Grogan (AU). The collaboration, which began in 2002, applies critical dialogue and experimentation to shared conceptual concerns, notably the performative mechanisms of viewing.
As part of an ongoing project that has included installations in Netherlands in 2007 and Melbourne in 2008, this site-specific work is resolved through a 2 month working period in Amsterdam 2009. Built structures, assembled objects and large-format photographic prints contribute to a layered constellation.
gallery 1 (rear) A Construction To Alter Reality Carl Scrase
Twenty tents, connected by their original clips and ties form a portal that
will only reveal its true magic when the viewer gazes through the structure
past the matrix of poles.
gallery 2 & 5 Immense Views Justy Phillips, Lucy Bleach, James Newitt
Three Hobart based artists work around a thematic narrative, exploring
universal themes of identity, place, memory and history through personal
relationships. Developed through intensive residency periods by each artist
in late 2008 at Bundanon, NSW, Tasmania and 18th Street Art Centre in
Santa Monica, LA.
gallery 3 Hothouse Stuart Bailey
Inspired by the drug busts in western Sydney this installation suggests
the comforting (brick) veneer of our everyday delirium is being eroded by
a creeping feeling that under the surface all is not well.
gallery 4 Under The Rug Kevin Chin
Four discrete domestic items, of varying scale, made from paint, ceramics
and acrylic wool, respond to the architectural nuances of Linden's domestic
space and explore the relationships between material objects and memory.
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Please note: Program details may be subject to change
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Stuart Bailey Untitled 2005 acrylic, polystyrene, digital prints
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