Exhibitions at Linden 10 NOVEMBER - 17 DECEMBER 2006

Five new Innovators Exhibitions opened at Linden Centre for Contemporary Arts
Thursday 9 November 2006

STILL/MOVING - YVETTE COPPERSMITH & JACQUI STOCKDALE GALLERY 1
What goes on behind the closed doors of the studios? Da Vinci and the Mona Lisa; Vermeer and the girl with the pearl earring - these stories still resonate today. The history of portraitature is filled with stories about the artist's relationship with their subject. Taking this as a starting point Yvette Coppersmith and Jacqui Stockdale will recreate the theatrics of the sitter and artist. The installation will be made up of portrait paintings and photographs that will sit alongside a tableau vivant - a living painting, of an artist's studio, with an artist and model working in the space.
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HEIMWEH - AMANDA MARBURG, JULIA ROBINSON & FELICITY MANGAN GALLERY 2
In the 21st century is there nothing left to conquer and nowhere else to go in the search for the exotic? This collaborative work considers landscape painting and its use in history as a projection of an ideal, epitomised by the 19th Century's romantic symbolism of man against the vastness of nature. In this performance/installation heimweh is experienced as an oxymoronic state; a longing for home while at the same time longing to explore the unknown.
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FELT IS THE PAST TENSE OF FEEL - CATHERINE BELL GALLERY 3
Catherine Bell's video explores the idea of repressed emotion and why we are conditioned to "suck it up" and not scream. Her performance shows the methodical and controlled action of sucking the ink out of 40 squid and then spitting it onto the pink felt suit she wears. It is this psychological struggle that Bell captures, the tension between the mind replaying the traumatic scenario of her father's death and the point at which we decide to purge our emotion.
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THE END OF THE WORLD/UNTITLEDWALL DRAWING (for S.L.,L.G.,J.A.) - PAUL WRIGLEY GALLERY 4
Building on previous work that blurs the line between photography and painting this new work by Paul Wrigley not only references spray-can graffiti but also bears resemblance to advertising illustrations. The airbrush is used for its effect of being able to simultaneously emphasise and dissolve the surface it is being painted on - in this case the gallery walls at Linden.
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PASSING THROUGH - REBECCA COOTE GALLERY 5
Rebecca Coote's interest is the critical integration of glass within architectural form, and how the perception of strong and stable structures can shift when viewed in reflection. Passing Through is a site-specific installation that makes the most of the domestic interior of Linden. It is part of a body of work investigating utilitarian architectural spaces and our perception of them. This installation looks at the architectural form of the gallery and the passage it offers between two other rooms, as well as the ornate doorframes that dominate this small gallery at Linden.
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image: Catherine Bell video still