Linden St Kilda Centre for Contemporary Arts
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Steve Keene at Linden
 
Entrance hall at Linden
Entrance hall at Linden
Steve at work gallery 2
Steve at work gallery 2
Honour system gallery 1
Honour system gallery 1
Finished work display gallery 1
Finished work display gallery 1
Finished work display gallery 3
Finished work display gallery 3

Steve Keene at Linden

7th September – 6th October 2002
OPENING 6-9 pm Friday 6 September

Maverick New York artist Stephen Keene will be spending over four weeks at Linden, turning painting into performance and transforming Linden's gallery spaces into caverns of colour.

Dubbed the "assembly-line Picasso" and described by Elsa Longhauser, Director of the Santa Monica Museum of Art, as "the Johnny Appleseed of Art" Keene produces 100’s of paintings each day and sells them at bargain basement prices. Using album covers, catalogues, magazines and works of art as source material he performs with lightening speed and freewheeling energy. In his trademark style Keene will mass produce up to 100 pictures at a time, saturating Linden with 1000’s of paintings and selling them straight off the walls at bargain basement prices.

He prides himself on being America's most prolific artist and to date has sold 130,000 works, each in his trademark expressive style.

"Painting should be part of people's lives and not separate from the world, like a precious object" says Keene. He likens buying his art to buying a CD, it is cheap, one of a multiple, easy to access and there for everyone to enjoy.

The physicality of producing his many paintings is also an important part of his work, "I think of it as an activity, as if you were a baker and you were meant to make 600 cherry pies a day"

Over the course of the exhibition Keene, in full public view and for every hour the gallery is open, will produce thousands of paintings, some inspired by his new St Kilda surroundings. They will be priced to sell and visitors to the exhibition can walk straight out the door with their new purchases.

Keene's connection with, and interest in, contemporary music (he has produced album covers for independent rock bands like Pavement and The Silver Jews) will also be indulged. He will be accompanied by DJ Kano from Revolver Upstairs at the exhibition opening at Linden, 6-9 pm Friday 6 September, and will be painting live at Revolver Upstairs from 7- 9pm Friday 13 September to a showbackdrop of sounds from DJ Karen Leng.
More info at:
http://www.stevekeene.com
http://www.revolverupstairs.com.au

Gallery hours are: Tuesday – Sunday 1.00pm – 6.00pm

For further information and/or images please contact Amy Barrett-Lennard on 9209 6794 or email info@lindenarts.org

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Steve at work gallery 2

Steve at work gallery 2





About Stephen Keene...

Lives: Brooklyn, New York
Education: MFA, Yale University, 1984
BFA, Virginia Commonwealth University, 1981
Exhibits: Galerie Steinek, Vienna, Austria, solo exhibit, February 2002
The Czech Centre, London, England: PAN, group show curated by Andree Cooke, November 2001
The Venetian Hotel, Las Vegas, NV: solo exhibit/performance, September 2001
Santa Monica Museum of Art, Santa Monica, CA: solo exhibit/performance, The Miracle Half-Mile, December-January 2000-01
Philip Morris performance event, ZDF Festival, Berlin, Germany, September 2000
Philip Morris performance event, Alte Pinakotek, Munich, Germany, December 1999
Brooks Museum, Memphis, TN: exhibit/performance, May 1999
H. Lewis Gallery, Baltimore, MD: solo exhibit, December 1999
Rice University Art Gallery, Houston, TX: solo exhibit/performance, Fresh Art Daily, September-November, 1998
Moore College of Art, Philadelphia, PA: solo exhibit/performance, History for Sale, November-December, 1997
Kunstraum Wien, Vienna, Austria: group exhibit, Hotel Mama, September-December 1995
Publications: (Partial list)
Details Magazine, "Brush Man", by Carl Swanson, September 2001
The Yale Herald, "Populism comes to the art gallery, en masse", by Rebecca Tuhus-Dubrow, February 2, 2001
The New York Times, "Let 70,000 Canvases Bloom in the Art World," by Daniel Akst, January 3, 2001
Los Angeles New Times, "Only Faster," by Suzanne Mantell, January 4, 2001
Reviewwest, "The Miracle Half-Mile: Ten Thousand Paintings by Stephen Keene," by Jennifer Dalton, January 2001
Los Angeles Times, "Bulk Rate," by David Pagel, December 16, 2000
Baltimore City Paper, "Multiplicity: The Assembly-Line Art of Steve Keene," by Lee Gardner, December 15, 1999
Time Magazine, "Assembly-Line Picasso," by Steve Lopez, December 1, 1997
Cover Art: The Apples in Stereo, Tone Soul Evolution, Spin Art
The Apples in Stereo, Fun Trick Noisemaker, Spin Art
Pavement, Wowee Zowee, Matador Records
Irvine Welsh, Marabou Stork Nightmares, W.W. Norton
The Silver Jews, The Arizona Record, Drag City

 

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Other Events:

LOCAL KNOWLEDGE

Public Art: Who Needs It ... ?

Whether it's a totem rising from a West St Kilda traffic roundabout, Pamela Anderson beaming from a Middle Park façade, or the latest outbreak of technicoloured graffiti, public art is sure to get the locals talking.

Who makes it? Who chooses it? Who pays for it?: these are just some of the hot questions. But on September 24 at Linden Centre for Contemporary Arts they're cutting to the chase to ask "Public art, who needs it ...?"

"We all need it!" says St Kilda resident Dr Chris McAuliffe, director of the Ian Potter Museum of Art. "After all, art in public places, art for the public, existed long before anyone had heard of ‘Public Art'. But maybe the question should be: Do we need bad public art?" He notes that performances and temporary installations may be as relevant today as the monuments and murals of the past.

Artist Ben Morieson agrees. He makes work for what he calls "an uninitiated audience", intriguing and entertaining them with roadside installations or a choreographed display of burnouts in a Docklands carpark.

The City of Port Phillip has recently shown its commitment to public art by launching its Urban Art Strategy. "We need to be bold and ambitious, but avoid the rush to decorate," says City of Port Phillip councillor David Brand, a passionate advocate for protecting and enhancing our cultural heritage. "We need to distinguish between the varying roles public art plays. Public art fails when these roles become confused."

"Public Art: Who Needs It ... ?" is the first event in Linden's monthly Local Knowledge series. Those attending will join Middle Park artist Martina Copley, David Brand, Chris McAuliffe and Ben Morieson in an evening of lively opinions and spirited debate, under the watchful eye of chair Norbert Loeffler.

And to kick off the evening in style, New York painter and performance artist Stephen Keene will introduce his current Linden exhibition and reveal his unique method of making art accessible to the public.

Event details

6.30 pm, Tuesday 24 September
Linden, 26 Acland St, St Kilda
$10 (includes wine and refreshments)
bookings are essential: phone 9209 6794 or email admin@lindenarts.org
For more information please contact Amy Barrett-Lennard on 9209 6794
The Local Knowledge series has been assisted by the City of Port Phillip Cultural Programs Board through its Cultural Development Fund.


Linden St Kilda Centre for Contemporary Arts
26 Acland Street, St Kilda, Victoria 3182, Australia
info@lindenarts.org