Linden Projects Space


Current exhibition


Ali Tahayori

Ali Tahayori

After Everything Has Been Said

18 July > 18 August 2024


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Past exhibitions


Haji Oh

Grand-Mother Island Project: Chapter 1- Nautical Map

Until 14 July 2024

Third Space

Jane Bartier, Amber Smith & Anindita Banerjee
Until 9 June 2024

JAYDA WILSON > NEVA-GU DYUGURPA

Neva-gu dyugurpa, From West Coast to City Centre
Until 28 April 2024

Clay Matters

Facts of Matter
Pattie Beerens, Amelia Black, Amanda Bromfield, Claire Ellis, Vicki Grima, Lene Kuhl Jakobsen, Cinda Manins, Elnaz Nourizadeh, Jane Sawyer, Madeleine Thornton Smith

Until 23 March 2024

Betty Sargeant > REAL FAKE

11 January > 11 February 2024

Elise Cakebread

Gathering Dust

23 November > 23 December 2023

CHARLOTTE WATSON

Moral Stranger

19 October > 19 November 2023

Lucinda Strahan

a rather gross materialism
completed her relapse into irritability
The Webbs’ Australian Diary 1898 cut and erased


10 August > 10 September 2023

MATERIAL REMAINS

Linden Projects Space
6 July > 6 August 2023

Belinda Piggott > All That Twinkles

1 June > 2 July 2023

Sarah Tracton > Sound is Illuminated

4 May > 28 May

Sound is Illuminated is proud to be part of Melbourne Design Week 2023

The Escape

Featuring Mariya Alipieva, Natalia Carminati, Alejandra de la Torre, Alexander Grahovsky, Ayman Kaake, Kate Lambe, Lemon Chicken Por Favor, Anna Révész, Anna García Solana, Andree van Schai
Presented by FIRE ESCAPE CONTEMPORARY ART
23 March > 23 April 2023

SYDELLE MULLEN > My Womb: A Public Space

16 February > 19 March 2023

LEONIE LEIVENZON > Unremembered Histories

12 January > 12 February 2023

LABOUR LEXICA > MAKI MORITA, LUCE NGUYỄN-HUNT & LACHLAN MARLEY

17 November > 23 December 2022

Curated by Ada Coxall, Coral Guan and Sebastian Kainey, Labour Lexica is a polemic and complex exhibition featuring the work of local emerging artists Maki Morita, Luce Nguyễn-Hunt and Lachlan Marley.

Jeremy Blincoe > The Fragile Skin of the World

13 October > 13 November 2022

The Fragile Skin of the World extends Blincoe’s practice of combining unusual materials and technologies to synthesise intricate sculptural arrangements that confuse and collapse the ideological distinctions separating objects from their environments.