Anna Révész is an emerging, Adelaide-based artist whose practice encompasses drawing, painting and sculpture, with a particular interest in photography. Révész uses both digital and analogue photography to explore ideas relating to memory, such as how memories are created, sustained or reconstructed. The exhibition includes a series of beautifully produced black and white photographs and three sculptural works that explore the interchange between past and present moments.



This work has developed from previous explorations of the idea of memory within objects – memory existing within objects and materials, memory being transferred from object to person. This work expands on these ideas and begins to look at the idea of memory within built environments and the way our bodies hold memories of spaces.

For this work, I collaborated with an emerging dancer, Darci O’Rourke (Australian Dance Theatre), to explore how, through movement, the body might reconstruct the spaces it has occupied or passed through.

I have also used sculpture to navigate these spaces and take forms from the photographs that further explore the tensions between the transient, unsteady nature of memory, and the structured, material nature of built environments.


This work explores the way that the body holds memory of built environments, and how it may sustain or reconstruct these memories. Ideas of phenomenology and affect theory have influenced this work, providing a scaffolding for looking at how we experience and move through spaces and the way these experiences might continue to shape our interaction with the world around us. How does a body pass through a space and what does it leave behind after it’s gone? How does a space continue to exist within a body and how might these memories re-emerge physically as time passes?
 
“When experiencing a structure, we unconsciously mimic its configuration with our bones and muscles: the pleasurably animated flow of a piece of music is subconsciously transformed into bodily sensations, the composition of an abstract painting is experienced as tensions in the muscular system, and the structures of a building are unconsciously imitated and comprehended through the skeletal system. Unknowingly, we perform the task of the column or of the vault with the body.” - Juhani Pallasmaa, The Eyes of the Skin




I am currently a resident at Praxis Artspace Studios (Helpmann Academy Praxis Artspace Residency 2021), and having a dedicated studio space within such a vibrant arts community has really helped to push my work forward and develop my arts practice.

I am also currently being mentored by artist Hossein Valamanesh (Helpmann Elevate Mentorship 2021), which has helped me to expand my practice to sculptural works and explore new materials.

Both of these experiences are providing me with invaluable support, industry engagement and the encouragement needed to refine my techniques and progress with my visual arts career.


When I graduated high school, I was determined to become an architect. In 2015 I moved to Melbourne and began a Bachelor of Architectural Design at RMIT, but I soon realised that the parts of the course I enjoyed most were the early stages of the design process that were more artistic and conceptual.

So, after just a year of study I moved back to Adelaide and reassessed what I wanted to do. I have always had a deep interest in art, but I think I wanted the certainty of a 9-5 job so was always too daunted to pursue art any further.

I decided to enroll in the Bachelor of Creative Arts (Visual Arts) at Flinders University/Adelaide College of the Arts, and once I began the course I fell in love with the visual arts world, and in particular, photography. I had amazing photography lecturers that pushed me to explore different materials, techniques and concepts. I knew that this was the world for me, and that even though it wouldn’t be easy, I was determined to put in the time and effort to make visual arts my career.



A MODERN DAY
QUEST FOR FEELING


By Dr Marion Piper's essay. 

At various times throughout the day my hands and feet tingle. Nothing life threatening or anything, but noticeable enough to stop me in my tracks. It’s a sensation that runs along the surface of my skin...
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Natasha Bieniek


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Ruth Höflich


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Vipoo Srivilasa


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Troy Emery & Ash Keating new projects


Explore the latest projects
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Carolyn Menzies


Find out about Carolyn's latest residency
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Anna Révész


Explore our latest Linden Projects Space exhibition
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Drink like
an artist


Vipoo Sirivilasa's tips for the perfect cup of tea
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Cook like
an artist


Follow Ruth Höflich and Natasha Bieniek's favourite recipes
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On Holidays at LINDEN


Art activities for children
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Linden Contemporaries


Member's visit to Ash Keating's studio 
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our volunteers


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IN THE NEIGHBOURHOOD


Things to explore in our Local Neighbourhood to enhance your next visit to St Kilda and the gallery.
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What's coming
next at Linden?

Design Fringe


4 September > 21 November 2021

This year, the Melbourne Fringe Festival will launch 
Design Fringe, a program that evolves the 34-year history of Fringe Furniture to create a stunning new design exhibition and events program to reach design loving audiences across Melbourne. We are thrilled to be hosting the first Design Fringe exhibition, which will be on display across all of our gallery spaces.
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Linden Postcard
Show 2020-21


4 December 2021 > 27 February 2022 

The iconic Linden Postcard Show will return for its 31st year. With over 1,000 mini masterpieces to see - every work measuring exactly 8 x 10” - this exhibition will include work by artists at all stages of their career, from across Australia.    

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